Gruff Rhys

Barboza Presents

Gruff Rhys

Lorkin O’Reilly

Saturday 10/20

7:00 pm


$13.00 - $15.00

This event is 21 and over


Gruff Rhys
Where – or what – is Babelsberg?

There’s a version that exists in the real world. It sits an hour or so drive to the south of Berlin and is famous as the place where Stalin, Truman and Churchill met for the Allied Forces’ Potsdam Conference that effectively signalled the end of the Second World War. Home to the oldest film studio in the world, it’s a place that’s unromantically referred to as ‘Hollywood without the glamour’.

The Babelsberg of the mind is more a fever dream, a dystopian alternate reality (perfectly captured by Russian artist Uno Moralez). At the heart is a tower – a teetering symbol of opulence, bad taste and misguided aspiration. Topped by a series of destiny lofts that house patriarchy HQ, this is Ballard’s High Rise brought to life in the brand new, poorly constructed Trump Tower Moscow. Here, Jesus Christ walks a pet dinosaur on a lead and silent drones circle like birds of prey. The view from the top is very much of the people at the bottom. This Babelsberg might just be the perfect allegory for our hopelessly off-course world.

Babelsberg is also the title of Gruff Rhys’ fifth album. His version exists somewhere between the other two. Having glimpsed the name of the real place from the window of a moving tour van cruising across Europe endless, the idea of the place had been stuck in the back of Gruff’s head for years – a dormant thought waiting for the right time.

“I’d made a note of the name after driving past a sign when I was on tour in 2014,” says Gruff. “Cut to a few years later and the studio where I recorded the album was being knocked down just a week after I finished to make way for a ‘luxury’ apartment development. I was looking for a name that evoked the Tower of Babel – people building towers to reach an idea of heaven (but maybe creating a kind of hell – I’m an atheist by the way!) In any case I had written Babelsberg down and when I listened to the songs together, it finally made sense why I’d done that.”
Lorkin O’Reilly
Since immigrating to the United States from Scotland in 2014, Lorkin O’Reilly has been making a name for himself as a commanding new songwriting talent. His unique transatlantic approach blends old-country inspired open tunings similar to that of Bert Jansch, Nike Drake and Dick Gaughan with direct and personal reflections and poetry. His writing portrays not only his own reality, but experiences faced by most of us: the purgatory between childhood and adulthood, between new home and old home and finally the overarching struggle of finding a new identity.
Born in Edinburgh in 1994, Lorkin’s early musical education was heavily steeped in the sounds of his mother’s native Ireland. Those early influences are heard throughout his work on tracks like "Alba," "When The Days Cool Down,”and “Tuttle's Reel."
In 2014 Lorkin moved to upstate New York to work on a farm. In the basement of the farmhouse he found an old acoustic guitar and began writing, resulting in his first E.P., After The Thaw. Recorded in a single day on two-inch tape, After The Thaw is a small body of work that tastefully sets the stage for what would become his debut album, Heaven Depends.
Venue Information:
925 E. Pike St.
Seattle, WA, 98122